ABOUT THE PLAY

A Susan Blackburn Prize Finalist (in the U.S. for the first time with BETC!)

A ribald musical romp featuring a barmaid turned swashbuckling pirate, the Royal Shakespeare Company’s The Fair Maid of the West is the perfect holiday treat crammed full of laughs, dances and physical hijinks. 

Adapted from Thomas Heywood’s Elizabethan drama, the play follows the adventures of Liz, a resilient  rat-catcher and barmaid in a Plymouth pub. She is falsely accused of murder, flees to Cornwall, opens her own pub, and sails to Spain to recover the body of her lover.  

Surrounding Liz are a teenage orphan, a postman full of grandiose stories, a swaggering bully, and a  divorcee with a heart and voice of gold.

BOULDER TICKETS - In Boulder Only!

RUN TIME

The Fair Maid of the West is expected to run approximately 2 hours, with a 15 minute intermission.

CONTENT CONSIDERATIONS

The Fair Maid of the West contains adult language.

BETC does not offer more specific advisories about the subject matter, as sensitivities vary from person to person. If you have any questions about content or age-appropriateness, please call the BETC Office at 303-351-2382.

“A rollicking new romp from a baggy old play, it’s an evening of “quality mucking about.”
— The Guardian

SHOW SCHEDULE

BOULDER
The Dairy Arts Center (Grace Gamm Theater)

Thursday, December 3, 7:00 pm - Preview
Friday, December 4, 7:00 pm - Preview
Saturday, December 5, 7:00 pm - Opening
Sunday, December 6, 2:00 pm

Thursday, December 10, 7:00 pm
Friday, December 11, 7:00 pm
Saturday, December 12, 2:00 pm
Saturday, December 12, 7:00 pm
*Sunday, December 13, 2:00 pm* - Parents-Paint-the-Town

Monday, December 14, 7:00 pm - Industry Night

Thursday, December 17, 7:00 pm
Friday, December 18, 7:00 pm
Saturday, December 19, 2:00 pm
Saturday, December 19, 7:00 pm
Sunday, December 20, 2:00 pm

Wednesday, December 23, 7:00 pm
Thursday, December 24, 2:00 pm
Saturday, December 26, 2:00 pm
Saturday, December 26, 7:00 pm
Sunday, December 27, 2:00 pm

*Parents-Paint-the-Town - we invite parents to enjoy a show for $25 while treating their kids to a fun, creative, and FREE workshop!*

TICKETS & DISCOUNTS

SUBSCRIPTIONS

The Fair Maid of the West is part of the 2026-2027 Boulder Season Subscription package. Using the code provided to them, subscribers will receive 10% off of additional single tickets beyond their subscriptions.

TICKETS

Single tickets for the Thursday-Sunday performances are $42.00. Preview tickets are $25.00. 

Students can get $15.00 tickets and must show a valid student ID at the theatre.

Purchased tickets from the Dairy Arts Center will be emailed to you directly from the box office, and copies can be found on your Dairy Arts Center account.

BOULDER TICKETS - In Boulder Only!

EVENTS

Sunday, December 13, 2:00 pm - Parents-Paint-the-Town

  • We invite parents to enjoy a show for $25 while treating their kids to a fun, creative, and FREE workshop!

ARTS INDUSTRIES

Are you a member of a not-for-profit arts and cultural organization or work in the theatre community?

Reach out to us for any questions about ticket discounts offered at tickets@betc.org.

JOIN OUR MAILING LIST

GROUP SALES

Looking to purchase tickets to a show for a group of 10 or more? BETC offers generous discounts for groups of 10+. If you are seeking special group arrangements, please call us at 303-351-2382.

“Boisterous and exuberant, this adaptation of The Fair Maid of the West is as funny as it is audacious.”
— The Birmingham Press

CAST

Brett Ambler* (TRACK #8 TOMMY) is delighted to make his BETC debut! Various credits include Natasha, Pierre, & The Great Comet of 1812 as Pierre, Frozen,  Legally Blonde, Come From Away, Jesus Christ Superstar, and Man Of La Mancha, (Arvada Center) Gutenberg as both Bud & Doug, The Wild Party, The Other Josh Cohen (DPCA Theatre Company); The Buddy Holly Story as Buddy, SPAMALOT, Shrek: The Musical, Avenue Q, The Full Monty (BDT Stage).  Brett is the meme “The Kazoo Kid”.  IG @Brett.Ambler Thanks to Mom, Dad, & Amanda!

Mark Collins (MUSICIAN) is happy to be back with BETC where you may have seen him as JIM in The Weir, Goose in Coal Country and Stockmann in An Enemy of the People. Other credits include Pump Boys and Dinettes, Misery, Before You Go, God of Carnage and The Cripple of Inishmaan at Miners Alley; Burning Bluebeard, Impossible Things and Small (The Catamounts); The Trip to Bountiful (Bas Bleu); The Israeli-Palestinian Conversation (Maya Productions); The Quality of Life, The Beauty Queen of Leenane  (Benchmark Theatre). He holds an MFA in Acting from the University of North Carolina-Greensboro.

Brian Davis (TRACK #9, SPENCER) Brian Davis is thrilled to be making his BETC debut. A Colorado native, Brian has worked professionally on the stage, in theme park entertainment, and as an audiobook narrator. Credits include: Nice Work If You Can Get It (Duke Mahoney, Lone Tree Arts Center); Pippin (Charles, Little Theatre of the Rockies); Never The Sinner (Richard Loeb, UNC NextWave); The Nutcracker Ballet (Nutcracker Prince, Colorado Dance Theatre). He holds a BFA in Musical Theatre from the University of Northern Colorado. Love to Paige, his family, and the BETC team for this wonderful opportunity. brianmatthewdavis.com

Penina Eisenberg (TRACK #5, CLEM)

Bio coming soon!

Adrian Holguin (TRACK #4, NOSY MAN) 

Bio coming soon!

Rodney Lizcano* (TRACK #1, PUB REGULAR) Rodney is an accomplished actor and director whose career spans over 30 years. He has appeared with the DCPA Theatre Company as actor for 24 seasons, Colorado Shakespeare Festival, Utah Shakespeare Festival, Alliance Theatre, Old Globe, Orlando Shakespeare Theatre, Theatre Aspen, Arvada Center, LOCAL, and Off-Broadway with Actors Ensemble Theater and DreamScape Theatre Company. He made his BETC debut in Miss Bennet: Christmas at Pemberley, for which he received a Henry Award nomination for Best Supporting Actor.  Additional BETC productions include, Tiny Beautiful Things and What the Constitution Mean to Me. Training: Southern Methodist University (BFA); National Theatre Conservatory (MFA).

Suze McLeod (TRACK #10) Susannah McLeod (Roughman et al) is thrilled to be back at BETC after having a blast in Holly, Alaska back in 2023. Other credits include: Pump Boys & Dinettes, Fun Home (Miner’s Alley); The Laramie Project (Arvada Center); The Other Josh Cohen, A Christmas Carol, Goodnight Moon (DCPA Theatre Company); Life Sucks (Aurora Fox); Hurricane Diane (Thunder River Theatre Company); and The Humans (Curious Theatre Company). Visit her at www.susannahmcleod.com. Susannah also works behind the scenes as a photographer under the name McLeod9 Creative — www.mcleod9creative.com.

Leslie O’Carroll (TRACK #2, WINDBAG) At BETC: Pride & Prejudice, Silent Sky. At DCPA: favorites include Dracula: A Comedy of Terrors, A Doll’s House, A Doll’s House Part 2, A Christmas Carol, Benediction, Eventide, Plainsong. Other Theatres: Noises Off,Beautiful, Into the Woods, Tartuffe (Arvada); Steel Magnolias (Theatre SilCo); One Man Two Guvnors, Midsummer, As You Like It, You Can’t Take It With You (CSF); POTUS, The Secretary, Good People (Curious), The Half Life of Marie Curie, Much Ado, Grapes of Wrath (Theatreworks); TV/ Film: "Breaking Bad", "Longmire", "Footloose". Awards/Training: Lunt/Fontanne Fellowship 2025; Best of Westword, Denver Post Ovation Award; MFA, NTC.

Erik Sandvold (TRACK #3, BARDOLF)

Bio coming soon!

ARTISTIC TEAM

Adara Baltazar (ASSISTANT STAGE MANAGER) is delighted to be returning to BETC for both sound design and stage management. She made her BETC sound design debut with The White Chip. Recent stage management and assistant stage management credits include The Diva Royale, Assassins, Morning After Grace (MAPAC), The Ballot of Paola Aguilar, Holly, Alaska! (BETC), and Shakespeare in the Parking Lot (DCPA). She is a graduate of the University of Denver with a distinction in stage management and recently graduated from The Chicago School of Professional Psychology with her Masters in forensic psychology. 

Matt Crane (SCENIC DESIGN) is a Colorado based scenic designer. Previous BETC designs include An Enemy of the People and Holly, Alaska!. Recent local designs include: Romeo and Juliet, Junie B. Jones, A Gentleman’s Guide to Love and Murder (Arvada Center),  Furlough’s Paradise (Curious Theatre Company), Mary Poppins, Sister Act (Colorado Springs Fine Arts Center), Richard II, The Tempest (Colorado Shakespeare Festival), The Last Yiddish Speaker (Theater Or), Medea, Into the Woods (The University of Denver), and Die Fledermaus (Lamont Opera Theatre). In addition to theatrical design, Matthew is an associate designer with Lionfish Design, providing design and art direction for live events, broadcasts, and corporate clients.  MFA Rutgers University, Mason Gross School of the Arts.  

Jason Ducat (SOUND DESIGN)

Bio coming soon!

Carolyn Howarth (DIRECTOR)

Bio coming soon!

Traci Kern (MUSIC DIRECTOR)

Bio coming soon!

Shannon McKinney (LIGHTING DESIGN)

Bio coming soon!

Rowan Livengood (ASSOCIATE SOUND DESIGN) Rowan is a local sound designer, proud to be rejoining BETC. Previous BETC sound designs: Hope & Gravity and Enemy of The People, Cry It Out and Mary Jane. Additional credits include ASM for Coal Country, Eden Prairie 1971, Ms. Holmes & Ms. Watson Apt. 2B, The Royale, and The Children and audio engineer for King Penny Golden Radio Show. A music lover and all around creative individual, Rowan is constantly raising the bar for himself and his craft. 

Katie Hopwood McCleaf (PROPS DESIGN, OPERATIONS COORDINATOR) Katie’s prop work was most recently featured in BETC shows: Witch, Mary Jane, Brooklyn Laundry, Every Brilliant Thing, The Thin Place, Cry It Out, Holly, Alaska!, The Children, The Royale, Eden Prairie, 1971, and the touring truck shows- Amelia’s Big Idea and Dorothy’s Dictionary. She graduated from Salisbury University with a degree in Theatre Production. 

Wessie Simmons (STAGE MANAGER) credits include: Disney’s Frozen, Lady Day at Emerson’s Bar and Grill, A Gentleman's Guide to Love and Murder (Arvada Center), My Fair Lady, Fiddler on the Roof  (Aspen Summer Music Festival and School / Theatre Aspen), Brooklyn Laundry, Hope and Gravity, Enemy of the People, What the Constitution Means to Me, Love Letters, Holly Alaska World Premiere, Coal Country (Boulder Ensemble Theatre Company), King Lear, Much Ado About Nothing, Book of Will, Two Gentlemen of Verona, The Alchemist (Colorado Shakespeare Festival).

Sarah Zinn (COSTUME DESIGNER) is the Costume Program Manager at the University of Denver, a draper at Opera Colorado, and has designed many BETC shows, most recently The Thin Place, Enemy of the People, White Chip, and Coal Country.  Other recent credits include Romeo and Juliet (Arvada Center), Medea (DU) Richard II and The Tempest (Colorado Shakespeare Festival) and Baskerville (Lone Tree Arts Center). She received her MFA in Costume Design and Technology from Mason Gross School of the Arts. She was awarded the Henry for Outstanding Costume Design for BETC’s 2022 production of The Royale.